Sunday, December 22, 2024

Overcrowding and ‘heat caves’ plague these communities. They’re now bringing home back to Country

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Photojournalist Rachel Mounsey follows Warumungu traditional owners in Jurnkkurakurr (Tennant Creek) as they tell stories of generational housing displacement — and their ambitious plan to reclaim their home. 

Diane Stokes Nampin’s rusty-looking block is scattered with broken-down cars, a weather-worn donga and a tumbled-down tin shed.

Inside the shed Diane lives in, her body is slumped with grief in a plastic chair.

It was a 44-degree day when her six-year-old grandson died suddenly of heart complications related to rheumatic heart disease (RHD).

“It was his heart,” she says, her long fingers softly tapping her chest.

“I raised him from little … you know?”

“And now he’s gone.”

A single grave adorned with flowers on the day of Diane’s grandson’s funeral. ()

A 2020 University of Queensland study found RHD in Jurnkkurakurr’s Barkly Region mostly started via another infection, such as a sore throat or gum infection.

These infections were increased due to sleeping in close quarters and inadequate ventilation in houses.

The study found on average 10 people were living in a single Jurnkkurakurr home.

That same year, the Northern Territory government introduced the Healthy Homes program — an incentive aimed at repairing public housing to improve the health of its residents.

A donga in sunset
Diane lives without a water or power connection while needing refrigerated medicine.()

Specialist physician Simon Quilty says RHD in the NT is entirely linked to overcrowding.

“We know that if you fix overcrowded houses, rheumatic heart disease disappears,” he says. 

“In Sydney, as a medical student, I never saw a case of rheumatic heart disease.

“I think that most doctors in Sydney would never see a kid with acute rheumatic fever anymore.”

A line of graves adorned with bright flowers
A line of graves in Jurnkkurakurr (Tennant Creek).()

The 2020 study’s co-author, Paul Memmott, says a lot of social housing in Central Australia is now around 40 years old and “hasn’t fared well in the harsh environment”.

“As well as things like broken fly screens and missing louvres, there are toilets, sinks and hot water systems that haven’t been repaired or replaced when they needed to be,”  Professor Memmott says.

“When those sorts of facilities aren’t working for long periods of time, it can lead to preventable hygiene-related infections.”

A sunset with a mountain lit in the background
Dr Quilty says streptococcus will multiply in overcrowded houses, ramping up RHD risks if even a scratch occurs. ()
Long shoots of grass waving in the wind
Dr Quilty says RHD is a problem that would never be seen in Sydney.()

Weeks later, as the final cars join the funeral possession, Diane sits under a wattle tree.

“Can you take me home,” she says, her head wrapped in a black mourning scarf.

“I can’t go out there and watch my grandson being buried.

“It hurts my heart too much.”

A woman sits in a plastic chair with a black scarf around her head
Diane Stokes Nampin sits in mourning at her block on the day of her grandson’s funeral. ()

A house hot enough to melt a candle

Echoing in a bare brick home, Norman Frank Jupurrurla argues with a housing department spokesperson over the phone.

After the home’s third bed bug infestation, largely due to cracks in the older building, Norman says his family was moved out into temporary accommodation for renovations and insecticidal treatment.

Four weeks later, they returned home once spraying had occurred.

No renovations had been completed.

Norman says his family was moved again into a caravan park for repairs to be finished.

Looking around as he returns home for the second time, Norman points to a fan sitting on a deep freezer and his belongings still missing in storage.

“I don’t know what they’ve renovated in here,” he says.

He picks up a plastic chair and puts it under the one working fan.

His daughter Nina sips on a juice box in the 40C heat.

“A big empty house,” he says.

Man sits on a chair in an empty room.
 Norman Frank Jupurrurla sits in his Jurnkkurakurr (Tennant Creek) home. ()

Norman’s family moved to Jurnkkurakurr in 2008 so he could start dialysis treatment — something he needs three times a week.

They ended up living in a tent on an outstation while they waited five years on the public housing queue.

In Jurnkkurakurr, general applicants could be left waiting eight to 10 years for a two-bedroom home, according to the territory government.

Priority applicants could face six to eight years.

And for every 44 people on that waitlist, there are only four houses available. 

A view of a townscape with a plane in the air
The view of Jurnkkurakurr (Tennant Creek) from Anzac hill. ()
A cross in the foreground of a townscape.
Priority applicants could wait six to eight years for a home. ()

Remote Housing and Homelands Minister Selena Uibo told the ABC she couldn’t comment on Norman’s individual case due to tenancy confidentiality.

She said priority housing was decided through a process in which applicants first must provide supporting documentation.

“This is then assessed and determined whether the applicant fits the priority housing eligibility criteria,” she said.

Ms Uibo said her government had spent $20.4 million on Tennant Creek housing and visitor accommodation since 2016.

“Our investment has built and upgraded 210 homes, with an additional 33 homes underway and plans to build five new homes in Tennant Creek,” she said in a statement.

“The Territory Labor Government has already built and upgraded 463 across the wider Barkly electorate with close to 30 works currently underway.”

In March, federal and NT governments committed a further $4 billion over 10 years to improve housing, with aims to deliver up to 2,700 homes in the territory over its life span.

 A iron wall divided with a floral sheet. 
 A sweltering room divided with a floral sheet in Jurnkkurakurr. ()

Those lucky enough to get public housing still have to contend with homes inappropriate for a changing climate.

Norman’s relative, Jimmy Frank Jupurrurla, says his house was so stifling last summer he couldn’t have a shower until midnight.

“Any time before midnight, that water was too hot,” he says.

Jimmy recounts how he once left a candle in another public home.

“I put it there and I came back a few days later and it was gone, melted,” he says.

“That’s when I realised how it really is, and how hot it’s gonna get.”

Jimmy’s experiment is backed up in a 2022 study co-authored by Norman and Dr Quilty.

It found poor design in remote houses created “heat caves”.

The result was homes that sucked up more energy and left users of pre-paid electricity cards facing frequent disconnections.

Chronic disease sufferers who needed to refrigerate medication were left “particularly vulnerable”.

It also confirmed what Norman and Dr Quilty had long known — the future of remote housing desperately needed to be re-envisaged.

A view of electrical lines at sunset
The study found poor design in remote houses created “heat caves”.

 ()

Letters that go nowhere

Mark Raymond has been a dialysis patient for 26 years.

He has been on the public housing wait list for 20 years.

Man sits in chair
Mark Raymond has been waiting for public housing for 20 years. ()

His homeland Marlinja near Elliott is 280 kilometres north of Jurnkkurakurr.

Having to attend the Jurnkkurakurr dialysis clinic three times a week means he’s kept off-Country.

“I don’t know why people with renal aren’t priority number one on the waiting list,” Mark says.

Mark stays with family but has repeatedly asked for his own accommodation.

In a statement to the ABC, Ms Uibo said remote housing allocations were decided by the community through “Housing Reference Groups”.

She noted the government had built and upgraded 3,800 remote homes since 2016. 

 A home in the sunset
An example of a home in Jurnkkurakurr (Tennant Creek).()

Dr Quilty says he’s written thousands of letters of support for priority patient housing that go nowhere.

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“The letters just sit there,” he says.

“I still keep writing them, but it makes no difference.

“People still wait for years.”

Patients without a fixed address can easily fall off the waiting list when letters asking applicants to renew their interest don’t reach them.

Living off-Country also makes it difficult to pass culture on to the next generation.

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“My dream site. You know, my sacred sites and all that,” Mark says.

“I have to teach my young generation after me.

“But I’m here. So it’s pretty hard, you know.

“If there was dialysis in Elliott it’d be a lot better for me to stay there.

“I’ll be staying in my homeland and coming down to treatment.”

Mark says he got tired of trying to remain on the queue.

“We tried, we tried,” he says.

Grandfather’s country

A shirtless man sits in front of the sunset
Norman Frank Jupurrurla sits on Country. ()

Norman knows the cost of living off-Country.

He likens it to a multi-generational displacement.

As of 2022, the Australian Bureau of Statistics estimates more than 35 per cent of Indigenous and Torres Strait Islander households in the NT live in public housing. 

A young girl look out the window of a car holding flowers
Nina Frank holds onto water lillies from her Country. ()
People pick water lilies.
Norman often takes his family back to Country. ()
Man sits on seat in front of a pool of water
The Phillip Creek settlement stopped operating in 1956.()

“We didn’t know how to live in houses,” Norman says.

“My grandfather, he had chickens in his bedroom, they were laying eggs on the bed.

A group of children huddle under blankets next to a tent
The children fall asleep out in Country.()

“You know what I think? I think it was the houses that bought the sickness.

“Before we had houses we never got sick.”

Norman’s Country, on former mission settlement Phillip Creek, is a stark contrast from the Besser block home.

A young girl climbs upon an ant hill
Nina Frank climbs an ant hill on Country.()

Norman’s voice comes alive as he recites the Dreamtime stories of the nearby gum tree and water lilies.

He points out a white cockatoo, his totem jalitjilpa.

Two people stand over a dirt grave with flowers
Norman and family take a moment to visit the graves out on Country. ()

“We Warumungu people, when we talk about Country, we talk about our grandfather’s Country, our father’s father’s father’s Country,” he says.

Two people walk with their back to the camera
Norman imports the significance of Country to the younger members of his family. ()

“That’s my Country today and my kid’s homeland.”

Jimmy’s father took him away from Alice Springs and back to Country when Jimmy was a young boy.

“I got a lot to thank from my father,” Jimmy says.

“If he didn’t take us back to that old lifestyle, I wouldn’t have what I got today.

“That old fella taught us the importance of our culture and our Country.”

A man carries a girl on his shoulders as he walks towards a car
 Jimmy Frank Jupurrurla says he came back to the land from Alice Springs. ()
A girl throws up dirt into the air
Jimmy says his girls love going back to the bush. ()
A young girl in pink shirt and shorts holds a kangaroo joey
Jayda Frank holds a joey in the sunset. ()
A group of people walk towards camera on red earth
The Frank Jupurrurla family connection to Country reverberates in the younger generation. ()

Dusk is falling as Jimmy takes a carload of kids through the scrub.

Teaching a new generation the importance of Country.

One of them, CC, is leaning her head out of the car’s window when she spots it.

A empty horizon with dirt and brown grass
An empty horizon overlooking Jimmy’s Country. ()

“Roo!” she shouts loud enough for Jimmy to hear without startling the kangaroo.

A dog runs alongside a car and a girl is reflected in the car's mirror
A dog runs along the troopy in red dirt. ()

A hush falls over the car as Jimmy slows down, hits reverse, and crawls to a stop.

A girl pokes her head out of a landcruiser
CC pokes her head out to spy a kangaroo. ()

The small girls huddle in the front seat while CC stays in the back.

All eyes are on the prize.

Just as his grandfather used to do, Jimmy takes a step back and watches his nephew prepare the roos.

The girls play in the light of the campfire. 
A man throws a kangroo into the fire
Jimmy Frank Jupurrurla prepares a kangaroo in the fire. ()
A man puts a kangaroo into the fire.
Out on his country, Jimmy feels free. ()
Two young boys handle a dead kangaroo
Cooking freshly caught roo is a rite for Jimmy’s family. ()
A boy throws a kangaroo into a camp fire
Jimmy passes tradition onto his nephews. ()

“I know you can’t fix the problem but how do we make it easier?” Jimmy asks.

He says Country is a healing place if you lose track.

And when he thinks of his ideal version of home, it’s here.

Two girls run in the dark bushland
The two girls run in the expanse of Jimmy Frank Jupurrurla’s Country. ()

“[You] feel free when you’re out here,” Jimmy says.

A red tyre worn track in the blue desert
The ash-covered land near Jurnkkurakurr (Tennant Creek). ()

“I’ve got the ties to my grandfather’s Country.

Man and kids look over blue toned skyline in front of a burnt bushland.
Jimmy Frank Jupurrurla looks over Country in the dusk. ()

“That’s how you build a home.”

Standing strong

Norman, Diane, Jimmy and Dr Quilty are all working on a way to bring Country and housing together — Wilya Janta.

Wilya Janta is a First Nations housing corporation creating culturally appropriate housing on Warumungu Country.

A young girl holding a feather
Neetu Frank holds a feather out on Country.()

The project, which means standing strong, works with traditional owners, medical professionals, architects and local tradespeople to right the failure of remote housing in Jurnkkurakurr.

It bridges the gap between design and the knowledge of traditional owners to build a home that best fits the Country and its culture. 

The new homes will fit culture and Country.()

Artists’ impressions show how a deep verandah around the home protects the rooms from the harsh summer sun, while also ensuring occupants don’t bump into “poison cousins” (strict cultural avoidance relationships).

A large breezeway inside is lined in locally made mudbricks created from ant hills and spinifex.

Ramps, accessible bathrooms and wide doors make the home suitable for older family members, allowing them to stay on-Country. 

Early designs of a Wilya Janta home. ()

The building will also belong to the community, as part of a Community Land Trust, ensuring long-term housing security.

“No one has ever built a house like this on traditional lands,” Norman says.

“It’s for Wumparrani people in the Wumparrani way.”

“I’ll show you where we’re gonna build the house,” Norman says over his shoulder in the car.

Wilya Janta’s first home is a particularly special one for Norman.

It’s his.

Norman’s wife, Serena, rests her arm on the open passenger window as the car winds to a stop on a hilltop.

Her eyes track through the ochre earth, seeing her husband’s vision.

A family home on this land, created from the country on which it stands.

A solution to centuries-long displacement.

View of long grass with hills in the background at sunset
The site where Norman Frank Jupurrurla will build his Wilya Janta property. ()

Beside her, Norman’s gaze is similar.

A sunset photo of a hill
The site overlooks an expense of red earth and rusty shrubs. ()

“See Rachel, you see it’s the best view in all of Tennant Creek,” he says proudly. 

A view of bare trees and grass
Norman now has the chance to bring home back to Country. ()

As I look out, I see an expanse of red earth and rusty shrubs and a sky that never seems to end.

It just might be. 

Credits

Words: Rachel Mounsey and Tessa Flemming

Photographer: Rachel Mounsey

Production: Tessa Flemming

The Great Crumbling Australian Dream

This photo essay is part of a larger photojournalism project examining Australia’s housing crisis.

The Great Crumbling Australian Dream is a collaboration between Oculi photographers and ABC News, with support from National Shelter.

The series was made possible with a Meta Australian News Fund grant and the Walkley Foundation.

Oculi is a collective of Australian photographers that offers a visual narrative of contemporary life in Australia and beyond.

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