“I have always wanted to make shoes. At that time, few emerging brands were making sneakers; it was something perceived as unattainable,” says Trevor Gorji, founder of “Fugazi,” in a Multimdia video where he explains the history of his brand. Created in 2016, blending fashion and skate culture, Fugazi’s initial breakthrough came with “The One in the Chamber” in December 2019, a sneaker that at first glance seems familiar but, upon closer inspection, stands out with its meticulous details and bold references. The shoe evokes the classic design of the Air Jordan 1, but with a rebellious twist: a revolver cartridge embedded in the sole, symbolizing confrontation and transgression. This juxtaposition of the ordinary and the provocative becomes Gorji’s signature. After opening his store on Canal Street in New York at the end of April, he returns today, in May 2024, with his unique sense of humor and irony, with a reinterpretation of the iconic “Birkin” bag from Hermès, multiplying its size by 100. Two years before the realization of this project to create the ultimate bag, highlighting the inscription Made in China to contrast with the French house that emphasizes Made in France, pushing the boundaries of absurdity and spectacle to make a biting critique of the fashion industry’s values. But where does this uniqueness that sets him apart from his competitors and allows him to defy fashion industry conventions so successfully come from?
In the pantheon of contemporary fashion creators, few stories resonate with as much depth and defiance as that of Trevor Gorji and his eponymous brand, “Fugazi.” Borrowing its name from New York slang meaning “fake” or “illusory,” Fugazi embodies the irreverent spirit and quest for truth in a world obsessed with authenticity. Trevor Gorji, born in Los Angeles, immersed himself in streetwear and skate culture from a young age. As a teenager, he developed a passion for sport shoes, collecting the rarest pairs with almost religious devotion. However, by observing the dynamics of the fashion industry, he detected a flaw: exclusivity and inaccessibility. Driven by a will to subvert, Gorji decided to create Fugazi in 2018, a brand that would defy norms and make luxury accessible without compromising on quality. Fugazi’s success is not just about its products. The brand stands out for its narrative approach and commitment to the community, as demonstrated during the launch of the fall-winter 2021 collection. A series of short films titled “The Fugazi Diaries” was released on Instagram, featuring fictional stories around the collection pieces, captivatingly blending reality and fiction. Gorji uses social media not only to sell products but also to tell stories, share inspirations, and create a genuine connection with his fans. Each collection is accompanied by reflections on themes of authenticity, illusion, and resistance.
Fugazi’s rise is also marked by shrewd collaborations and limited editions that enhance the brand’s aura of mystery and desire. The most notable collaborations include the one with Jeff Staple in 2020 on Staple’s “Pigeon Dunk” sneaker, but with Fugazi’s distinctive touch, and with graffiti artist Futura 2000, a pioneer of urban art, with whom they collaborated on a series of clothing and sneakers. Gorji, with his flair for innovation and keen understanding of consumer desires, navigates effortlessly between the worlds of streetwear and luxury. In 2020, he created a line of leather jackets, each handmade in Italy and featuring complex embroidered patterns reminiscent of artworks. He also made headlines in 2021 by covering a Pierre Paulin Dune sofa with a Gucci monogram.
However, the brand is not without controversies. Critics accuse Fugazi of walking the fine line of appropriation and plagiarism. Gorji, far from being discouraged, welcomes these debates, using them as leverage to discuss the value of originality in a world where everything seems to have already been done. Today, Fugazi is not just a fashion brand; it is a movement. Trevor Gorji, like a modern alchemist, transforms the ordinary into the extraordinary, creating pieces that are not just objects of desire but fragments of culture. Fugazi remains an enigma, a challenge to the fashion industry, a perpetual question of what is real and what is illusory. In essence, Fugazi reflects its era, a time when the lines between real and fake, luxury and everyday, exclusivity and inclusivity are blurrier than ever. And Trevor Gorji, with a pioneering spirit, continues to redefine these boundaries, proving that in illusion, there can be a sublime form of truth.